Sakuga MADs – February 2011 – Notes


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It’s time to mark the passing of February 2011 with a sakuga MAD or two! When pitted against the former month of January, February doesn’t seem particularly impressive. But this is a middle-of-the-season month, without the lineup of new OPs that the start of a season brings, or the climactic battle sequences that usually accompany its end – I think these months usually have weaker offerings.

These MADs together do a pretty good job of covering all the notable bits of animation, but, particularly no. 1, they actually feels a little desperate for scenes at times. As with last month, AnimeBlue’s is less exciting to watch because it’s under-edited, but it’s still good to have both, and he caught a few good parts that the first one missed (such as Tetsuya Nishio’s contribution to Kimi ni Todoke). Another problem with the first one is that there are a number of scenes I feel don’t belong in a sakuga MAD, like the Bakuman, Ochinko and OreImo parts.

⚫ Houkago no Pleiades contributed some really interesting animation, from a crew of less senior Gainax animators. The lack of big names like Sushio, or Yoshinari meant that it is hard to put an animator’s name to specific cuts, but it’s nice to see Gainax has other animators who can carry the burden by themselves. As many remarked in the 4chan sakuga thread, a number of cuts had a bit of a Tanaka Hironori vibe to them, but he was not involved in the episode. Probably the best moment was from Ootsuka Mai Kouno Megumi, who did the final action scene in the fourth episode (including the fireball attack bit).

⚫ The fight sequence from Yumekui Merry was Tanaka Hironori . While it is interesting animation and typically well-executed, it feels somewhat unlike his usual style. The movement is more languid and less purposeful than usual. Someone once described his animation style as ‘ragdoll’ to me, and I think that fits his style. Perhaps he’s evolving as an animator? Thoughts, anyone?

⚫ The Index 2 OP is nice stuff indeed. It also features animation from Ootsuka Mai.

⚫ The Star Driver karaoke scene had a lot of people talking on twitter. It reminded some of Yutaka Nakamura, but it turns out he isn’t credited for that episode. As @raito_kun pointed out, this scene was actually credited seperately, probably because it was done in-house at BONES while the rest of the episode was outsourced. The animators credited are Takahiro Shikama, Takaaki Izumo, Yasuyuki Kai and Shosuke Ishibashi. Of those names, Shikama probably did the best cuts.

⚫ The fight with the horse in Kore Zombie 7 was probably done by Yamashita Toshinori

⚫ Star Driver 19 – The circus/aerial battle was done by Satoshi Mori (confirmed on his twitter) (thanks @raito_kun)

⚫ Dragon Crisis 6 – this fight scene is one of my favourite sequences this month. I’m not watching the show, but this is really good, smooth and detailed work. It could be Hiroshi Tomioka but I’m not so sure its his style (judging by other character battle scenes of his I’ve seen) and I don’t know what other cuts were in the episode. Another guess: it could be Matsutake Tokuyuki, who did the cut from episode 1 that appeared in last MAD. But I’m interested to hear if anyone else knows anything.

2. Kimi ni Todoke 6 – probably from god-tier animator, Tetsuya Nishio. The movement of the hair is so crisp and fluid!

2. Bleach 309 – This episode drew a lot of attention from Japanese sakuga fans, and it’s pretty clear why: it features some really good effect animation. The part where the monster (sorry I can’t be more specific – I’m not a Bleach reader/watcher) erupts from the man is really good. That part was probably done by Kurita Shinichi (although some thought he may have done the fight sequence that episode). The series of explosions that follow are probably the work of Tanaka Hironori. The very last segment of this MAD is also from that episode, and could have been done by Kudou Masashi.

Please comment, or ask questions!